EXHIBITION: Eastern Ground

We’re thrilled to announce that this spring we will be hosting the Eastern Ground exhibition at our offices on Bell Street. Partly funded by Glasgow City Heritage Trust, the Eastern Ground project saw the creation of six stunning handmade garments which celebrate the heritage and people of the East End. Designed by bespoke tailor Alis le May, each costume was inspired by one of the area’s historic buildings.

Following on from the original exhibition, held at Strangefield in Dalmarnock, we are delighted to now present a selection of the garments on display at our city centre offices.

Alis explains, “I want people to take fresh look at the area – to appreciate its people, its buildings, the memories they inspire, and even the flowers and plants which grow there…These buildings are not just architectural landmarks; they are repositories of community memories and shared histories”.

The exhibition will also include work by master dyer Julia Billings from her Mapping East End Colour project. This explored the dye potential of the East End, with samples dyed using flora collected from within a mile of Julia’s studio in Bridgeton. 

Exhibition dates and times: 

Monday 25th March 2024 – Friday 3rd May 2024 

Exhibition open daily Monday to Friday 10am – 4pm, except for Easter when it will be closed from Friday 29th March to Monday 1st April, reopening Tuesday 2nd April. 

The exhibition will also be open on two weekends:

Saturday 6th and Sunday 7th April 10am – 4pm

Saturday 13th and Sunday 14th April 10am – 4pm 

Location: 

Glasgow City Heritage Trust, 54 Bell St, Glasgow, G1 1LQ 

How to get here:

By Train: The closest train station is High Street (0.2 miles), or Queen Street (0.5 miles) | More information via Scotrail

By Subway: The nearest Subway station is St Enoch (0.6 miles) | More information via Glasgow Subway

There is limited on-street metered parking on Bell Street and surrounding area. The nearest multi-storey car park is Q-Park at Candleriggs

Free entry

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Glasgow Historic Environment: A Snapshot – 2019

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Our new interactive map shows data collated between February and April 2018 which gives a snapshot of the current state of Glasgow’s historic built environment.

Blog Post: Ghosts and Zombies

Read our latest blog post about our Ghost Signs of Glasgow project, pondering the nature of ghost signs and what they tell us about the urban landscape.

Enjoy Family Fun with our Kids Trails!

Download our Kid’s Heritage Trails!

Become a Friend of Glasgow City Heritage Trust

Glasgow City Heritage Trust is an independent charity and your support is crucial to ensure that our charitable work promoting the understanding, appreciation and conservation of Glasgow’s historic buildings for the benefit of the city’s communities and its visitors continues now, and in the future.

The easiest way to support the Trust’s work is to join our loyalty scheme. Our tiered loyalty scheme means you can choose the level that’s right for you.

Explore the City Chambers with our new digital tour!

The City Chambers is one of the most prestigious buildings in Glasgow. It’s a place where famous visitors are welcomed, and where big events such as civic receptions and award ceremonies are held. However, many Glaswegians have never been inside, or are unaware that free public tours take place every day. Our new online learning resource, ‘Our City Chambers’, aimed mainly at primary school aged children, enables them to explore the building in a way that is accessible, engaging and fun, even if they aren’t able to visit in person. Explore the resource here

It features animations of key rooms within the building, including the Banqueting Hall and Council Chambers. It also shows areas that are not always accessible to the public, such as the Councillors’ Corridor, the Lord Provost’s Office and the Portrait Gallery. It covers the architecture, design and social history of the Chambers, identifying the materials and the traditional skills and techniques employed in its construction and decoration. It also demonstrates how the building is still a functioning workplace for the council, and the role it plays in providing key public services to the people of Glasgow.

We worked closely with the design team at SUUM studio to create this resource. We would like to give our heartfelt thanks to them and to the staff at the City Chambers for their support and insights during the project. Children at St Mungo’s Primary School participated in a series of workshops in the development stages of the project, including a visit to the Chambers. Their perspectives on the building and the city of Glasgow were inspiring and joyful, and were instrumental in shaping the final resource.

A free printed resource to accompany the website has also been produced. It is available to pick up from the City Chambers and from GCHT’s office at 54 Bell Street in the Merchant City. A downloadable PDF will also be added here in due course.

We’d love to see some pictures of you visiting the Chambers – you can show them to us on our Twitter, Instagram or Facebook pages – use the hashtag #ourcitychambers

Gallus Glasgow Learning Resources for schools

Our Gallus Glasgow Inter- Disciplinary Learning Resources are now available online. Click on any of the images below to download, and print if required.

The resources, developed and written by educators, are based on the family characters from our Gallus Glasgow animation. Each contains activities for learners alongside relevant curriculum links. They also provide information on suitable Glasgow Museums workshops, available free to all Glasgow City Council schools.

EXHIBITION: The Knight Map of Glasgow: Tracing the Transformation

We’re thrilled to announce this new exhibition. The Knight map is a contemporary artwork by artist Will Knight, commissioned by Glasgow City Heritage Trust (GCHT) as part of our ‘Gallus Glasgow’ project. This digital outreach project ran from September 2021 and explored the development of Glasgow during the Victorian period, through the eyes of Thomas Sulman, illustrator of the Bird’s Eye View of Glasgow, 1864. 

Looking North from the Southside of the Clyde, the Knight map is an incredibly detailed snapshot of modern day Glasgow. Displayed alongside Sulman’s map, it shows how the city has changed and developed over the last 150 years. It documents Will Knight’s approach to creating the contemporary map, with all the layers produced as part of the process on display. The exhibition also uses interactive elements to encourage visitors to ponder what the city will look like in the future.

Saturday 6th- Sunday 14th May 2023, 11.00-17.00 daily, at New Glasgow Society, 1307 Argyle Street.

Free entry.

How to get here:

The exhibition space is located just around the corner from Kelvingrove Museum, about a 30 – 45 minute walk from Glasgow City Centre

By Bus: Glasgow First Bus route 2 stops right next to the exhibition space and bus routes 3 & 77 stop just a street away on Sauchiehall Street | More information via First Bus: https://www.firstbus.co.uk/greater-glasgow

By Train: The closest train station is Exhibition Centre, which is about a ten minute walk | More information via Scotrail: https://www.scotrail.co.uk/

By Subway: The exhibition space is located about a 10 minute walk from Kelvinhall Subway Station | More information via Glasgow Subway https://www.spt.co.uk/travel-with-spt/subway/

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Glasgow Historic Environment: A Snapshot – 2019

Ever wondered which buildings in your neighbourhood are listed, or even on Scotland’s Buildings at Risk Register?

Our new interactive map shows data collated between February and April 2018 which gives a snapshot of the current state of Glasgow’s historic built environment.

Blog Post: Ghosts and Zombies

Read our latest blog post about our Ghost Signs of Glasgow project, pondering the nature of ghost signs and what they tell us about the urban landscape.

Enjoy Family Fun with our Kids Trails!

Download our Kid’s Heritage Trails!

Become a Friend of Glasgow City Heritage Trust

Glasgow City Heritage Trust is an independent charity and your support is crucial to ensure that our charitable work promoting the understanding, appreciation and conservation of Glasgow’s historic buildings for the benefit of the city’s communities and its visitors continues now, and in the future.

The easiest way to support the Trust’s work is to join our loyalty scheme. Our tiered loyalty scheme means you can choose the level that’s right for you.

Kids Trail Toolkit

Our Kids Heritage Trails have been so popular that we’ve decided to develop a toolkit to help you create your own! So if you fancy making a trail and learning a little bit about the heritage of your local area along the way, just click the image below!

The toolkit is full of advice, ideas and resources to help you.

Need a hand with the design? Access our kids trail template on Canva. Canva is a free-to-use online graphic design tool. Teachers can access additional resources such as lesson plans, infographics, posters, video, and more by signing up with your education email address or upload proof of your teaching certification.

We’d love to see pictures of you enjoying our trails or creating your own – you can show them to us on our Twitter, Instagram or Facebook pages – use the hashtag #glasgowkidstrails.

Ghost Signs of Glasgow blog: Tidings from Christmas Past: The Distillers Company, by Kaori Laird

When raising a dram to bring in the bells at Hogmanay this year, spare a thought for the wonderful 1898 James Chalmers designed building at 64 Waterloo Street. The Ghost Sign found here for the Distillers Company Plc. leaves the trace of Wright & Greig Ltd. who were one of biggest whisky traders at the end of the 19th century.

Detail of The Distillers’ Building, found in ‘Victorian City: A Selection of Glasgow's Architecture’, by Frank Wordsdall (published: Richard Drew, Glasgow, 1982).

The company started life as a small trader in Buchanan Street in 1868, before moving to West Campbell Street in 1876. The business grew rapidly in the license trade and before long they had to expand to bigger premises, moving once again to 8 Cadogan Street in 1888. Although their Cadogan Street premises, Cadogan Buildings, which sat on the corner of Wellington Street, was a large building with the company occuping 12,700 square feet and the rest of the building let as offices, Wright & Greig were keen to have their own purpose built premises to house their own cellars, blending and sample rooms, and their own offices.

Picture of The Distillers’ Building in Frank Wordsdall book of Victorian City, published in 1982.

By 1897, the company’s blended whisky, Roderick Dhu, and Shaugrun Irish Whiskey were both a big success, particularly Roderick Dhu, Old Highland Whisky, which garnered the higher profit of the two, due to it being exported globally. Therefore work began on the Waterloo Street premises on which we find the Ghost Sign for the Distillery Building.

Engraving Depicting Rhoderick Dhu: illustrated by Richard Westall, from ‘The Lady of The Lake’, Walter Scott (Published: John Sharpe, London, 1811).
The Distillers’ Building at present with Ghost Sign.

The now B-listed Waterloo Street building is adorned with a statue of Rhoderick Dhu over the door, a historical character lionised in Walter Scott’s famous poem ‘The Lady of the Lake’ published in 1810. Set in the Trossachs, the poem depicts the 16th century character Rhoderick Dhu of Clan Alpine, who led the rebellion of the Highland Clans in an uprising against King James. While over the oriel on the right corner of the building is a statue of a Highland Lass with her malting shovel. There are turret balconies with barley-sugar-columns, all sprouting miniature cannon, originally intended to be occupied by figures of the seasons. The building was designed and built to accommodate large cellars, blending and sample rooms, and offices. The building works cost £11,500 and was a great advertisement for their trade and most profitable product, Roderick Dhu whisky.

Highland lass with her malting shovel, over the oriel on the southeast corner.
Building turret. Balcony meant to have figures of the seasons. Barley-sugar column (or Solomonic column) with miniature cannon.

Wright & Greig later went on to acquire Dallasmore Distillery in Moray in 1899 which they renamed Dallas Dhu (the Distillery is now a museum under the stewardship of Historic Scotland). Unfortunately Wright & Greig’s booming trade didn’t last long. The company finally went into voluntary liquidation in 1919. However, bottles of Wright & Greig’s Special Blended Scotch Whisky, as well as Roderick Dhu, still continue to be produced and exported by Glen Ila Blending Company, and there is also a pub just across the road from the old Distillery Company building named after Rhoderick Dhu!

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Our new interactive map shows data collated between February and April 2018 which gives a snapshot of the current state of Glasgow’s historic built environment.

Blog Post: Ghosts and Zombies

Read our latest blog post about our Ghost Signs of Glasgow project, pondering the nature of ghost signs and what they tell us about the urban landscape.

Enjoy Family Fun with our Kids Trails!

Download our Kid’s Heritage Trails!

Become a Friend of Glasgow City Heritage Trust

Each year, our events help over 2000 people to understand and appreciate Glasgow's irreplaceable built heritage. Can you help us to reach more people?

We are hugely grateful for the support of our Friends whose subscriptions help cover the costs of these events, thereby ensuring accessible pricing for everyone in Glasgow in these challenging times.

The easiest way to support the Trust’s work is to join our Friends scheme. Our tiered loyalty scheme means you can choose the level that’s right for you.

Ghost Signs of Glasgow blog: Mapping the Past: Download our Southside Map, by John Veitch

When I signed up to volunteer for the Ghost Signs of Glasgow project, as a Scottish History graduate, my first research assignment was to help research signs in the south side of Glasgow to go on the Ghost Signs of Glasgow Southside map. As I was isolating during the pandemic, the majority of my research began online (no leafing through old papers like Gandalf learning the history of the One Ring for me). Fortunately, as a starting point the team sent me photographs of the signs for the map and a list of helpful websites with online records.

Many of the Ghost Signs of Glasgow social media posts explore the history of the business owner or company whose name is clearly visible on the sign, but the Southside signs I was tasked with were what the team like to call “mystery signs”, these are partial signs with only a few letters uncovered which are barely legible. Later in the pandemic an entire word became visible on one of the signs, unfortunately that word was “GLASGOW” which didn’t help to narrow the search much! 

So, my assignment was to tackle the challenging “mystery signs” with no name visible to search for. My research then had to start – and maybe even end – with the addresses, and the buildings themselves. The National Library of Scotland website contains searchable digitised copies of Post Office directories from 1773 to 1912, so this was a good place to start with only an address to work with. A look on the “street view” feature of Google Maps is also a useful tool for examining the signs in context and how they looked even a few years before. When scrutinizing Google Maps closely I discovered a sign on the adjoining building to the one I was researching reading: “Speirs Place”. According to the Historic Environment Scotland website this adjoining building was Category “B” listed while the end building was merely Category “C”. This made me ponder whether the adjoining building was a later addition, and whether there was a piece of local history to explain why the street name was changed to “Queen Mary Avenue”.

A trawl through several old maps on various websites provided no evidence that the street was elongated or renamed, while the Post Office directories indicated that “Speirs Place” was only ever a name for a building on Queen Mary Avenue. It seems that giving tenement buildings their own names used to be a common practice, but that this practice was later discontinued, understandably, because it was confusing for post office staff. Therefore, I’d found another ghost sign in the process of researching the mystery ghost sign on the building adjacent!

I had a bit more good luck when researching another ghost sign, on the corner of Allison Street and Garturk Street. Again, this was one of the challenging “mystery signs”. The few legible letters read “ROC”, suggesting the word “GROCER”. According to records it suggests this was the sign for Margaret King’s grocery, listed in the Post Office directories at that address from 1892-1910. As there are a number of grocers listed at this location it seems this shop has always been a grocery store since the building itself was constructed.

The directories also provided some intriguing clues, for those interested in following a family’s history: after 1910, the shop and the home address belonged to John King, though the shop is still listed as Mrs King’s – therefore this suggests that her son inherited the family business. Other clues suggest that Mrs King used to live above the shop at 21 Garturk Street, and also inherited another shop elsewhere on Allison Street from a husband named Edward before moving to the shop below her flat. There are a number of other grocers named King listed as operating in the same area over the years- could these have been relatives? Although these rabbit-holes take us further away from the sign in question, I found it interesting to speculate about this family’s story, and how they would have been familiar faces within the community.

Helping to research the mystery ghost signs for the Ghost Signs of Glasgow Southside Map was a challenging journey in more ways than one, but mapping the stories of the lives of the people who once lived and worked around this part of Glasgow was a delight, and hopefully provides an insightful look into the past for those that choose to use the maps for their own self-guided adventure!

You can now download and print the Ghost Signs of Glasgow Southside Walking Map here

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Glasgow Historic Environment: A Snapshot – 2019

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Our new interactive map shows data collated between February and April 2018 which gives a snapshot of the current state of Glasgow’s historic built environment.

Blog Post: Ghosts and Zombies

Read our latest blog post about our Ghost Signs of Glasgow project, pondering the nature of ghost signs and what they tell us about the urban landscape.

Enjoy Family Fun with our Kids Trails!

Download our Kid’s Heritage Trails!

Become a Friend of Glasgow City Heritage Trust

Each year, our events help over 2000 people to understand and appreciate Glasgow's irreplaceable built heritage. Can you help us to reach more people?

We are hugely grateful for the support of our Friends whose subscriptions help cover the costs of these events, thereby ensuring accessible pricing for everyone in Glasgow in these challenging times.

The easiest way to support the Trust’s work is to join our Friends scheme. Our tiered loyalty scheme means you can choose the level that’s right for you.

Ghost Signs of Glasgow blog: J Davidson & Co- A Short Ghost Sign with a Long History, by Billy Cowan

In 1979 a warehouse tenant at 9 Bath Street in Glasgow’s city centre ceased trading and their small company sign that had adjourned the sandstone side wall since 1947 was painted over. As late as 1998 (picture below) paint still covered the sign, though the Scottish weather had eventually started to peel away the paint and uncover the original sign. Had it not, we may never have known about J Davidson & Co, auctioneers and appraisers who started life back in 1846.

In 1846 John Davidson opened a new business as an Auctioneer and appraiser at 62 Argyle Street. He was from a family of coffee and spice merchants and lived at 123 (Walmer Place) Hospital Street in the Gorbals. Trade must have been good as the following year the Auctioneer moved further along the Street to Turners Court at 87 Argyle Street, where they stayed until June 1858. 

This section of Argyle Street, from the Trongate and along Queen Street, had quite a number of auctioneers and appraisers at that time. Argyle Street itself was lined by “courts” on both side of the street, Turners Court was one of eight of these. The area was described by Andrew Aird in his book, ‘Glimpses of old Glasgow’: “At 87 Argyle Street was Turners Court, street-like in its buildings and industries of various descriptions with dwelling houses of a superior class.”

An advert for J. Davidson & Co. found in the 1856/57 Post Office Directory, shown below, allows an insight into the company and the work they undertook.

On Saturday 12th June 1858 adverts in the local press advised of the company moving to 42 Argyle Street opposite the famous “Bucks Head” Hotel. The advertisement below is from the Paisley Herald and Renfrewshire Advertiser.

They stayed here until 1877, and due to the many changes taking place in Argyle Street with older buildings being replaced, and the train line expansion from the St Enoch train station they moved across the road to number 43 and then to number 22 in 1884 where they stayed until 1929. It was during this time at 22 Argyle Street they became more prominent within the city, taking an additional showroom at 13 Queen Street, as evidenced in an advertisement from the Fife Free Press & Kirkcaldy Guardian from Saturday April 3rd 1909.

A mark of the respectability J. Davidson & Co Autioneers had garnered by this time is that the Scottish branch of the British Red Cross Society chose J. Davidson & Co to host their fundraising “Free Gift” sale, on Thursday 28th June 1917.

The sale of items donated from generous Glaswegians raised over £246, which is the equivalent of almost £18, 200 in today’s money. One notable donation to the auction is item 96 – 12 pairs of ladies Glace Persian 1 bar Slippers from Messrs. Bayne and Duckett, the longstanding boot and shoe retailer.

By 1929 J. Davidson & Co moved once again, this time to 182 Trongate, and then in 1947 to 9 Bath Street which is where we find our Ghost Sign, on the side of Albert Chambers. This free renaissance commercial building with shops on the ground floor was designed by Bruce and Hay and built in 1901. The warehouse space at the back of the building was still classed as Bath Street, not an alley or lane and not an extension of East Bath Lane, located opposite. The elevation plan of the side of the building shows the chamber’s grandeur, with a sliding gated entrance to the warehouse courtyard, and a door to its side for the office entrance at 9 Bath Street for J Davidson & Co. where we find the small Ghost Sign which advises customers on Bath Street that J Davidson & Co were located “first right”.

 The below picture “Then and Now” picture of the street shows the entrance door “first right” with the wooden sign above the door reading ‘J Davidson & Co, Auctioneers’

A photograph from 1969 shows the access to the auctioneer’s warehouse, the courtyard still has the wonderful ceramic brick atrium, and the flashings from the glass roof that once covered the courtyard are still visible. However the buildings on the left and rear were demolished for the “improvements” to the area associated with the Buchanan Gallery build. 

J. Davidson & Co Auctioneers remained in the warehouse at 9 Bath Street until it stopped trading in 1989. Having operated in Glasgow for over 130 years it was then quickly forgotten, until time and weather revealed the old ghost sign once again! The warehouse now forms part of the crazy golf outlet “Jungle Rumble Adventure Golf” with several of the golf holes in the very site where the J. Davidson & Co. office and warehouses were. 

Images Credits

Newspaper clippings, post office directory, Building Plan courtesy of The Mitchell Library Archives.

Black and white photographs Historic Environment Scotland (Canmore)

Colour pictures by the author

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Glasgow Historic Environment: A Snapshot – 2019

Ever wondered which buildings in your neighbourhood are listed, or even on Scotland’s Buildings at Risk Register?

Our new interactive map shows data collated between February and April 2018 which gives a snapshot of the current state of Glasgow’s historic built environment.

Blog Post: Ghosts and Zombies

Read our latest blog post about our Ghost Signs of Glasgow project, pondering the nature of ghost signs and what they tell us about the urban landscape.

Enjoy Family Fun with our Kids Trails!

Download our Kid’s Heritage Trails!

Become a Friend of Glasgow City Heritage Trust

Each year, our events help over 2000 people to understand and appreciate Glasgow's irreplaceable built heritage. Can you help us to reach more people?

We are hugely grateful for the support of our Friends whose subscriptions help cover the costs of these events, thereby ensuring accessible pricing for everyone in Glasgow in these challenging times.

The easiest way to support the Trust’s work is to join our Friends scheme. Our tiered loyalty scheme means you can choose the level that’s right for you.

Vacancy: Heritage Officer- Activities (Maternity Cover)

Heritage Officer (full-time, fixed term, maternity cover)

Salary: £21,000 p/a

Glasgow City Heritage Trust gives out almost £1 million in funding each year to help people in Glasgow protect, repair and promote the city’s historic buildings and places.

Through our conservation grants people enjoy, understand and care for Glasgow’s historic built environment and are able to access funding and expertise which ensures the sustainability of the city’s heritage for current and future generations. 

Our historic environment plays an important role in successful neighbourhoods and high streets which are vital as a local point for social and economic interactions and sustainable communities.

An exciting opportunity has become available for an Activities Officer to support the implementation of the Trust’s new Historic Built Environment Activities programme for the benefit of all people living, working in and visiting Glasgow. As part of our Activities Team, this will involve the planning and co-ordination of a range of events, including talks and debates, tours, practical workshops and training opportunities for both a professional audience and the general public. You will also assist with a number of other projects designed to achieve our strategic objectives, such as community engagement workshops.

You will have an informed interest in Glasgow’s heritage and relevant experience in events management, project management, community engagement or similar, which may include a formal qualification. 

The successful candidate will manifest our core values: passionate, collaborative, innovative and forward-looking.

The Trust offers a variety of benefits to employees, including generous employer pension contributions, flexible working, 25 days paid annual leave and excellent opportunities for training and development. 

GCHT welcomes applications from all sections of the community and is an equal opportunities employer.

Heritage Officer- Activities (Maternity Cover) Job Description

Heritage Officer- Activities (Maternity Cover) Application for Employment

To apply please use the links above to download the Job Description and Application Form.

Application forms should be returned by email to info@glasgowheritage.org.uk.

Deadline for applications: Friday 29th July 2022 at 12 noon. Shortlisted candidates will be informed by Friday 5th August 2022.

Interviews: Friday, 12 August 2022.

Please don’t hesitate to contact the Director Torsten Haak via torsten@glasgowheritage.org.uk to arrange an informal discussion about the role.

A Runaway Horse, Shoplifting and a ‘Peace Riot’

By Morag Cross

Are there women in Sulman’s aerial perspective of Glasgow?

Yes, they inhabit, own and work in the buildings he shows. The amazing image can been used to show the surroundings where female entrepreneurs and employers, shopkeepers and factory workers, lived, loved and laboured. There is no shortage of stories about women’s lives, as this second blog by Morag Cross also shows.

Sulman's map of 1864 showing the location of Queen Arcade

A RUNAWAY HORSE

Queen Arcade was an indoors ‘safe space’ for women to meet and browse, reassured by the benign surveillance of fellow shoppers. One morning in 1866, this security was breached by a runaway horse, which collided with an unsuspecting female, and careered through both the Queen and Wellington Arcades.    

Traders in close proximity can also attract less desirable human visitors – in 1866, illiterate Ann Mills received ‘seven years’ penal servitude’ for stealing corsets and 5 yards of coarse cloth from Jane Collins’s shop. Mills had 8 previous convictions including 4 years for theft, an obvious measure of her desperation when the harsh punishments didn’t put her off. The National Records of Scotland’s online catalogue reveals Mills was a musician’s wife from Belfast, living in the congested slums of Bridgegate. The street was known for its large Irish community, and numerous used-clothing dealers, where Mills could have sold her goods for ready cash. Corset-maker Mrs Collins and her extended family featured in the previous blog. Mary Jane Dobbins, a cousin-by-marriage, was targeted in 1871 by Mary Wilson, another repeat offender. Wilson took ’32 yards of jean cloth and a crinoline’, and served 8 months in prison.  She was obviously unable to conceal so much bulky material about her person, and like Mills, probably lived a chaotic, miserable existence. 

This blue silk crinoline dress was worn by one of the Reids of Kittochside Farm, East Kilbride c 1866-7. It was supported by a hooped cage or frame, like that shown (Images courtesy Glasgow Museums, CC BY-SA 4.0).

A MARVEL OF MISDIRECTION

Crinoline frames were made in arcade workshops; seamstress Mrs Mary Ann Stirling advertised in 1861 as ‘inventress of the hand notted [sic] crinoline … keeps the shape better … also much cheaper’. Twice widowed, she concealed her true age and first marriage from her third husband – three marriages might seem embarrassingly excessive. Her death certificate, from 1900, is a marvel of misdirection – she had obviously knocked three years off her age, falsified her mother’s and second spouse’s names, and omitted ‘Mr Stirling’ altogether. She can never have expected to be found out! 

Mrs Stirling’s invention, advertised in the Glasgow Herald of February, 1861

DEATH BY CRINOLINE

Unwieldy crinolines frames were absurdly impractical and also dangerous –gruesome ‘death by crinoline’ was often reported, where the extended skirts were ignited by naked flames. Fanny Appleton, wife of the poet H W Longfellow, was one such victim. ‘Crinoline protector’ guards were even sold with cooking ranges. A wonderfully vivid account of the Glasgow public touring the warship ‘Centurion’ in 1861, relates: ‘Ladies were crushing their crinolines into gigantic sandwiches amid coils of rope, barrels and pails’. One woman descending a ladder was unable to see her feet, until a ‘gallant sailor … crushed every reef out of the floating crinoline’. 

 Queen Arcade’s female traders largely depended on meeting the demands of home dressmakers who pursued the latest elaborate styles. Those on modest budgets would normally update collars, flounces or decoration on existing clothing, as new outfits were a major investment. Dress-accessories and haberdashery provided an entire branch of retail for women workers, which vanished as braid and long hems were replaced by mass-produced clothing after World War 1. There were at least four of these miniature emporiums in the arcade over time, under specialist names like ‘furnishings’, ‘smallwares’, and ‘fancy warehouses’.  

Adverts from the various 'small wares' shops, Glasgow Herald 1870s
The disturbingly contemporary letter below appeared next to a review of the new shopping facilities in Queen Arcade (North British Daily Mail, 8 December 1875).

A BEWILDERING VARIETY OF EVERY COMMODITY

Esther Smith (born Caithness, 1805) saved enough working as a servant to open an arcade toyshop in the mid-1850s. She expanded her stock to ‘furnishings’ while hosting her teenage nephew, an apprentice plasterer. One of the Martin staymaker family lodged with her in 1871 (showing the inter-dependency of the arcade women’s household incomes), and ten years later, presumably retired, she was living with her niece, another ‘smallware dealer’ from Caithness. Something soon went tragically wrong – her 1883 death certificate calls her a ‘pauper’. 

 Mrs Stirling, discussed above, sold ‘dress furnishings’, and contemporary adverts show this might include endless varieties of hairnets, stamped and velvet ribbons (all widths), steel buckles, trimmings, silk and worsted yarns, milliner’s feathers, jet and nickel buttons, eyelets, fringes, jacket ornaments, veil nets, and ‘plated portrait brooches’. The bewildering varieties of every commodity demonstrate the minute subdivision of labour, and global import market – German sundries being especially noted.  

A ‘DECIDEDLY DINGY PASSAGE’ 

The mall (opened c1842), was a shabby, ‘decidedly dingy passage’ by the 1870s. Paint merchant Andrew Yuille bought the entire complex and invested in the necessary renovations in 1875. The floor was ‘rodent-proofed’ with asphalt, and mosaics of the city’s arms. ‘Unusually liberal use of silverised plate glass and gilding’ included huge etched mirrors over the entrances. The new roof was 12 feet higher, allowing for white and gold pillared shopfronts (with more mirrors), beneath ornamental gargoyle heads. The architects were Knox & Halley, with paint schemes by local artist T Byron Lyle and decorator James Lyle. The latter’s widow, Agnes, opened her own paint store at the wonderfully-named 265½ Buchanan St in the 1880s. 

Traces of the elaborate interior survived into the final days of the mall in the early 1960s. The empty mirror frames, carved gargoyles and ‘rat-proof’ flooring remained. Courtesy of Glasgow City Archives, Cat No D-PL 2/1/1871.

A VANITY-CENTRED MARKETING PLOY

At the celebratory dance for the tenants, the speaker praised ‘all those beautiful mirrors which so faithfully reflected ladies’ charms as they passed.’ When word of this looking-glass hall spread, ladies would flock to examine (or admire) themselves, and ‘shopkeepers could secure them as customers and … extract the needful profit’. The decoration was a vanity-centred marketing ploy, although most women were presumably canny enough to resist! The glaziers, J & G Rae, later supplied glass for the famous C R Mackintosh-designed Willow Tearooms. 

 Some women were granted the vote in school board and municipal elections in 1872, and 1881 respectively. It’s a mystery why these major feminist landmarks are never celebrated, and only 1918 is recognised for female suffrage. In 1881, under the new property qualification, three female ratepayers in Queen Arcade appear on the ‘List of Female persons entitled … to vote for town councillors’. They were corset-makers Isabella and Mary Jane Dobbin, and Janet Sommerville, who ran dairies in and around the arcade for 32 years. She was another of those unsung spinster aunts, who brought up her nephew and worked until her seventies. In turn, Janet was cared for by his family, received the newly-introduced state pension in 1908, and died at the great age of 90 in 1922.  

Adverts from the rise of Joseph Broydo’s firm, Helensburgh News 1884 and his fall, Glasgow Herald 1885

IT ENDED IN A RIOT..

The 1885 rateable valuation roll shows that ‘Elizabeth Broydo & Co’ owned a portrait studio. This was still a rare job for a woman, although one of history’s most celebrated female photographers – Clementina Elphinstone Fleeming (1822-65), later Lady Hawarden, came from nearby Cumbernauld. Joseph Broydo, an emigre Russian picture-framer, had married Elizabeth Morgan from County Down. He had four studios in Glasgow and Belfast, and even spoke at Irish home-rule meetings. When Broydo faced bankruptcy, the premises were put in Elizabeth’s name. Joseph’s fate is unknown, but Elizabeth re-emerges back in Newry in 1896. During a volatile sibling dispute, she accused her own brother of assault and withholding her wages, but settled out of court.  

We began with a bolting horse, and end with a riot. Two sisters, the Misses Ronald, had occupied the double shop at Nos 1-3 as mantle-makers (short, loose coats). The new tenant in 1899 was one James Keir Hardie, former and future MP, co-founder of the Labour Party, but at that time, editor of the ‘Labour Leader’ newspaper.  

 The Glasgow Herald described a rally against the Boer War (attended by Hardie) in March 1900 as ‘a travelling troupe of Stop-the-War propagandists’, who ‘slandered the nation’. Counter-demonstrators smashed Hardie’s plate-glass office windows in Queen Arcade, such was the depth of feeling on both sides. Hardie claimed £16 damages for repairs, which the city council refused to pay. The so-called (and self-contradictory) ‘peace riot’ ends this brief saunter past the women’s lives among one of Glasgow’s early shopping malls. Their imposing architecture has been justly celebrated, but the feminine social worlds contained therein also deserve a hearing. Meanwhile, Sulman has microscopic pedestrians traversing his streets, some of them wearing crinolines, which make them identifiable as women, although cartography was surely never envisaged as a reason to wear them! 

Morag Cross is an independent researcher and archaeologist, specialising in histories of buildings and land ownership. Her archival research explores the unexpected links between previously unknown figures, especially women, and their social networks. She has worked on over 80 projects including business histories for the Mackintosh Architecture website, Glasgow Council’s official WW1 website, M74 industrial archaeology research, and Edinburgh’s India Buildings, Victoria St.

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